I had a Matthew Goode double-bill last night, of sorts, as he turns up in Belle, a costume drama about intersectionality. Although that description is true - it’s a film based on a true life story and it’s heroine is Dido Belle Lindsay, the mixed race member of an upper class eighteenth century English family – it’s also a coming of age story and a love story with a rootable, nuanced heroine.
It also allowed me to make ‘Emily of’ jokes because there’s a character called Elizabeth Murray, made me long to see Penelope Wilton in a Georgette Heyer adaptation and makes me think that Tom Felton’s agent should try harder to avoid typecasting.
And then there was the Good Wife
5.21 The One Percent
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