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shallowness2.11 Stakeout
A high level of snickering throughout.
Gina might have put it inelegantly, but she was right about Rosa fancying Holt’s nephew and practically telegraphing it with that one word. (Well, I thought Gina and Amy also perked up, understandably, at the sight of him.) Between that, the ensuing awkwardness with Holt and the combo of Amy-Gina-Terry, with the first two devolving into childishness his daughters wouldn’t pull off over his story, maybe seeing Jake and Charles’s friendship tested so was the weakest thing.
2.12 Beach House
Also brought out the snickering.
I liked seeing them all out of the usual haunts and settings, and the show totally knows who all these characters are by now.
It just about navigated the awkward cringe factor of having Holt be there because Jake felt sorry for him not having enough ‘joshing around’ and the (understandable) meanness of the secret subterranean party Holt was excluded from.
Sheryl Crow = party time, Terry? REALLY?
A high level of snickering throughout.
Gina might have put it inelegantly, but she was right about Rosa fancying Holt’s nephew and practically telegraphing it with that one word. (Well, I thought Gina and Amy also perked up, understandably, at the sight of him.) Between that, the ensuing awkwardness with Holt and the combo of Amy-Gina-Terry, with the first two devolving into childishness his daughters wouldn’t pull off over his story, maybe seeing Jake and Charles’s friendship tested so was the weakest thing.
2.12 Beach House
Also brought out the snickering.
I liked seeing them all out of the usual haunts and settings, and the show totally knows who all these characters are by now.
It just about navigated the awkward cringe factor of having Holt be there because Jake felt sorry for him not having enough ‘joshing around’ and the (understandable) meanness of the secret subterranean party Holt was excluded from.
Sheryl Crow = party time, Terry? REALLY?
